Many contenders are trying to make the next big internet play out of television. Let's look at Joost and Vudu as case studies.
Mark Goldberg has been looking at the beta trial of Joost, the new alternative Internet-TV-thingee from the two guys who invented Skype, a free phone service.
Joost is supposed to bring authorized TV content to the internet and to create a new advertising-based service, including full episodes of CBS shows like CSI, Viacom programming such as MTV (explain what MTV was to your kids) and independent films. The service is expected to launch commercially soon.
Mark is not convinced of its value:
"It is unclear to me that Joost is delivering enough on its potential to be a truly disruptive force... Is Joost an example of what I have called The Iridium Syndrome' - an engineering-led solution solving a non-existent problem resulting in massive flushing of cash?"
Mark, a telecom expert, is clear about what he considers to be deficiencies of the Joost system, at least in so far as it exists in the early trial version:
- Absence of live sports, news and current affairs
- Absence of new release movies
- Absence of suitable archive/indexing/searching mechanism
- Low quality relative to High-Definition TV
I took a quick look at the Joost beta (by invitation, sorry) and while I was entertained for a few seconds with a Rocky & Bullwinkle cartoon, I tend to agree with Mark's conclusion. The top issue a new service must answer to become a sustainable business is "What new problem do you solve for consumers?" This is essentially the same problem that Vonage, a so-called disruptive threat to telephone companies, faced from day one: What is the new market?
It's quite possible that the Joost execs have this under wraps and will reveal all later. Or they can evolve the business to answer that question. But it is also possible that their hybrid strategy ("Joost combines the best of TV and the best of the Internet") goes badly. Most hybrids fail because they tend to 'cram' the new disruptive thing (Internet) into an old business model (broadcast television) in order to prop up the old declining business.
This doesn't mean that Joost won't make a lot of sense to companies that need a life raft, such as CBS and MTV... but it may not make sense to consumers.
I am much less concerned with Mark's valid observations (absence of sports, low resolution vs. High-Definition, etc.) that could be summarized by saying Joost is inferior to cable-TV. The reason is that most successful market disruptors start with inferior goods or services that are aimed at marginal markets.
Recent example: BlackBerry started in 1999 as a non-Windows compatible, non-Palm compatible, non cell-network compatible, non-phone, non-text message, non-web, e-mail only device. It was inferior to mainstream cellphones in most every way... but it did one new thing really well by solving a new problem: It gave access to instant information anywhere. And the technology was improving.
Onto Vudu
The New York Times reports on Vudu, a Silicon Valley startup that has dozens of movie studios signed up and enthralled with the potential. Founder Tony Miranz promises a disruptive approach to movie economics: "“Other forms of movie distribution are going to look silly and uncompetitive by comparison,” Mr. Miranz asserts." Makes Apple TVC look like Betamax, says TVSquad.
Gizomodo says Vudu has what it takes as a "video store in a box."
**Other Information**
PC World says Joost is still working out the kinks, but has a positive observation: "Research shows that TV viewers' main problem is this: "What do I watch when I don't know what to watch?" I give Joost kudos for providing several tools to help answer that question."
A year ago when I rated Vonage (pdf) using The Disruption ScoreCard (xls), it got a 'C,' still the lowest rating of any company I have looked at. You can download the scorecard to rate Joost and offer your feedback.
Here's a disruptive alternative to boring TV, at least for hundreds of thousands of French-Canadians. Perhaps this reinforces the point... By many standards this is 'inferior' to mainstream TV. But in Quebec, where the audience always wants more local entertainment, this Monty-Python type of comedy sketch service solves a problem.
Of course, pirated TV services are all over the Internet according to the Wall Street Journal, but they don't usually represent sustainable businesses. In fact, they come and go based on enforcement of copyright rules. However, the popularity of Apple's iTunes music service shows that premium services can compete against pirates, if they recognize where the value is by solving customer problems.
Samples from a few of these pirate services, in this case, episodes of local version of The Office, from the U.S., the U.K. and France, subject of course to disappearing at little notice:






Recent Comments